Johann Sebastian Bach: Sonatas & Partitas for Violin - Henry Szeryng

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Johann Sebastian Bach: Sonatas & Partitas for Violin - Henry Szeryng
Label: DG | APE + CUE | NO LOG | Covers | 2006 | 2 CDs | 672.2 MB
Classical/Instrumental
Henryk Szeryng's recording of the Bach Solo Sonatas and Partitas for Violin is perhaps not the greatest of the recordings of these pieces, but they are certainly one of the best. It his approach to them, one of great respect and love for Bach's music, that make them so beautiful. Not only is Szeryng a wonderful violinist in his own right, but he is an artist in a class of artists that no longer exists today; at least the majority of what people call artists today are not artists but rather performers, and sometimes sadly nothing more than entertainers.

One of the overlying principles in his disciplined approach -- and it is the great discipline of achieving technical mastery that then makes it possible to transcend to the level of artistry -- is his letting of the music speak for itself. Someone once brilliantly pointed out that in approaching and interpreting a piece of music -- and for that matter the text to a play -- one must realize that the piece in its objectivity will always be greater than what the perfomer will be able to do with it. It is this element in Szeryng's playing of these pieces that make his Bach so wonderful. It is the fact that he regards this truth of a piece's objective greatness in his interpretation that make it possible for someone to say that one ore another performance of his was better or worse than another. In other words, quite generally speaking, when we say that a perfomance was good we should not be so concerned with the technical merits of the performer -- although they are highly and fundamentally important, for true artistry only flourishes when the technique is so masterful that it allows the performer to transcend the technical into the artistic -- but rather with the way in which he deals with the piece's objective beauty; the way in which he puts his own mark on the music, whether it be overbearing or appropriate.

The greatness of Szeryng's Bach lies in that he lets the music speak for itself while still leaving his undeniable mark on the it. That is true artistry! And it is, as I wrote above, only with a great love and respect for the music that this is possible. Mozart said that artistic genius was not intellectual ability or great creativity, not even a combination of both, but rather "love, love, love is the soul of genius."

Some readers may argue saying that Szeryng was known for his great arrogance both on and of the stage. I would ask those who would object to what I have just written to read the CD jacket of the Bach violin concertos on the Phillips label written in tribute to Szeryng. The author speaks of how although Szeryng had a need to be surrounded by people and always be the center of attention, when he stepped onto stage, he would invariably stand back and let the music speak for itself. If you the reader still have trouble seeing this, then the only thing that could still change your perception would be to hear Szeryng's playing. This must be done
completetly free of any biases for or against his playing. Listen to him and if you still cannot come to terms with this trait attributed to him by many, then write your reasoning down and send it back to me at: rfriddle@erols.com violin student age 19, John Henry Crosby
John Henry Crosby

Disc 1:
1. Sonata for Violin Solo No.1 in G minor, BWV 1001 - 1. Adagio
2. Sonata for Violin Solo No.1 in G minor, BWV 1001 - 2. Fuga (Allegro)
3. Sonata for Violin Solo No.1 in G minor, BWV 1001 - 3. Siciliana
4. Sonata for Violin Solo No.1 in G minor, BWV 1001 - 4. Presto
5. Partita for Violin Solo No.1 in B minor, BWV 1002 - 1a. Allemanda
6. Partita for Violin Solo No.1 in B minor, BWV 1002 - 2b. Double
7. Partita for Violin Solo No.1 in B minor, BWV 1002 - 2a. Corrente
8. Partita for Violin Solo No.1 in B minor, BWV 1002 - 4b. Double
9. Partita for Violin Solo No.1 in B minor, BWV 1002 - 5. Sarabande
10. Partita for Violin Solo No.1 in B minor, BWV 1002 - 6. Double
11. Partita for Violin Solo No.1 in B minor, BWV 1002 - 7. Tempo di Borea
12. Partita for Violin Solo No.1 in B minor, BWV 1002 - 8. Double
13. Sonata for Violin Solo No.2 in A minor, BWV 1003 - 1. Grave
14. Sonata for Violin Solo No.2 in A minor, BWV 1003 - 2. Fuga
15. Sonata for Violin Solo No.2 in A minor, BWV 1003 - 3. Andante
16. Sonata for Violin Solo No.2 in A minor, BWV 1003 - 4. Allegro

Disc 2:
1. Partita for Violin Solo No.2 in D minor, BWV 1004 - 1. Allemande
2. Partita for Violin Solo No.2 in D minor, BWV 1004 - 2. Corrente
3. Partita for Violin Solo No.2 in D minor, BWV 1004 - 3. Sarabande
4. Partita for Violin Solo No.2 in D minor, BWV 1004 - 4. Giga
5. Partita for Violin Solo No.2 in D minor, BWV 1004 - 5. Ciaccona
6. Sonata for Violin Solo No.3 in C, BWV 1005 - 1. Adagio
7. Sonata for Violin Solo No.3 in C, BWV 1005 - 2. Fuga
8. Sonata for Violin Solo No.3 in C, BWV 1005 - 3. Largo
9. Sonata for Violin Solo No.3 in C, BWV 1005 - 4. Allegro assai
10. Partita for Violin Solo No.3 in E, BWV 1006 - 1. Preludio
11. Partita for Violin Solo No.3 in E, BWV 1006 - 2. Loure
12. Partita for Violin Solo No.3 in E, BWV 1006 - 3. Gavotte en Rondeau
13. Partita for Violin Solo No.3 in E, BWV 1006 - 4. Menuet I-II
14. Partita for Violin Solo No.3 in E, BWV 1006 - 5. Bourrée
15. Partita for Violin Solo No.3 in E, BWV 1006 - 6. Gigue

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