Judas Priest - Hell Bent For Leather (1978) [Audio Fidelity 24 KT Gold, HDCD 2010]

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Judas Priest - Hell Bent For Leather
WV CUE LOG - 246 MB | 38:44 min | Complete Artwork - 43 MB
Crack the whip and rev the engine...a brilliantly realized
headbanging classic that ranks among heavy metal's greatest!
In many ways the fifth Judas Priest studio album, Hell Bent for Leather released in the fall of 1978 is the band's definitive album, showcasing all their strengths and epitomizing what this heavy metal group is all about. The album was produced during the period they adopted the leather studs style breaking new ground in heavy metal sound and image.
Although gothic themes are present the album isn't truly dark or morbid, the band is as aggressive and brutally intense as ever. The blistering two-guitar attack and shreds of Glenn Tipton and K.K. Downing will melt your head - the solos have some serious attitude, and by now Rob Halford had established his quite unique, much lower and more menacing, vocal style. The album offers a glimpse of things to come, included are the undeniable Priest classics and permanent fixtures in their live shows.- The Green Manalishi, totally destroys the original Fleetwood Mac song, and when you hear that motorcycle roar, you know Hell Bent For Leather, one of the great metal songs of all time, will play. Classics galore complete this recording from the mighty opener, Delivering the Goods, Rock Forever, Killing Machineand Running Wild in addition to the actual top 40 hits, Evening Star and Take on the World - nearly every track is ripping, and dangerous. In 1978-1979, there wasn't anything quite like this album, Judas Priest basically reinvented heavy metal music and every band from Iron Maiden to Metallica have been influenced by them. The album that marks the beginning of the ascencion of Judas Priest to Metal God status.

Titled Killing Machine in the U.K., but given a less violent moniker for U.S. release (as if that makes any sense), Hell Bent for Leather is a transitional album between the progressive-minded complexity of Stained Class and the more commercialized stadium rock of British Steel. In terms of image, however, Judas Priest comes into their own here, creating modern heavy metal fashion by donning studded leather outfits that recalled biker subculture (a connection Rob Halford supported by riding a Harley-Davidson on-stage) but -- in one of metal's supreme ironies -- actually came from gay SM clubs. Now looking as fierce as their music sounded, Priest set about scaling back the ambition of Stained Class, making the songs more concise and immediate, with simpler structures and fewer underlying subtleties. However, the band largely maintains its then-trademark aggression; the simpler songs actually allow them to hike the tempo on the proto-speed metal numbers even more, and there are hints of blues-rock creeping back into the overall sound, complementing the newfound tough-guy swagger in the band's attitude. At the same time, the relative simplicity also provides the first glimpse of the band's more commercial instincts. If these competing impulses don't make for their most cohesive album, it's also true that most of what's here was still pretty peerless for its time. If Stained Class was the death album, Hell Bent for Leather is the sex album -- Delivering the Goods, the title track, Burnin' Up, and Evil Fantasies are all loaded with SM imagery, while Running Wild is a nightlife party anthem, and Before the Dawn a morose heartbreak ballad that nonetheless works in context as the downside of all this carnality. Delivering the Goods in particular ranks with their best straightforward rockers, while Hell Bent for Leather pushes ever farther towards speed metal proper, crystallizing Halford's leather-and-motorcycle obsessions into one of the band's signature statements. The other title track, Killing Machine, is a midtempo stomper about a contract hitman, and there's yet another brilliantly reinvented cover song, as the band transforms the Peter Green-era Fleetwood Mac chestnut The Green Manalishi (With the Two-Pronged Crown) into a heavy, sinister groover. Of the more commercial material, the anthemic chorus of Evening Star leaves the best impression, while Rock Forever is their first explicit ode to heavy metal itself (and there would be many, many more to come). The uneasiest implications for the future come from Take on the World, a lunkheaded stadium shout-along that gave the band its first British hit single, and is clearly patterned after Queen's We Will Rock You. Occasional missteps and all, Hell Bent for Leather closes the book on Judas Priest's early period, which constitutes some of the most influential heavy metal ever recorded. The flood of NWOBHM talent they'd inspired was about to be unleashed on the record-buying public, and henceforth, Priest was intent on reaping the rewards. They would remain a vital force in their second, more commercial phase (more so than some fans of their late-'70s classics might care to admit), but their work of redefining the genre had largely been completed.

~ Steve Huey, all media guide


Tracklist:

01. Delivering The Goods
02. Rock Forever
03. Evening Star
04. Hell Bent For Leather
05. Take On The World
06. Burning Up
07. Green Manalishi
08. Killing Machine
09. Running Wild
10. Before The Dawn
11. Evil Fantasies

all songs written and composed by Halford, Downing and Tipton, except 7 by Peter Green

EAC logfileExact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 1. February 2010, 8:11

Judas Priest / Hell Bent For Leather {2010 Audio Fidelity 24 KT Gold, AFZ 066}

Used drive : HP DVD Writer 1060r Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 4:17.56 | 0 | 19330
2 | 4:17.56 | 3:24.35 | 19331 | 34665
3 | 7:42.16 | 4:03.59 | 34666 | 52949
4 | 11:46.00 | 2:41.63 | 52950 | 65087
5 | 14:27.63 | 3:07.21 | 65088 | 79133
6 | 17:35.09 | 4:02.02 | 79134 | 97285
7 | 21:37.11 | 3:25.51 | 97286 | 112711
8 | 25:02.62 | 3:02.16 | 112712 | 126377
9 | 28:05.03 | 2:59.17 | 126378 | 139819
10 | 31:04.20 | 3:23.42 | 139820 | 155086
11 | 34:27.62 | 4:16.12 | 155087 | 174298


Range status and errors

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Peak level 99.9 %
Range quality 100.0 %
Copy CRC 3475A7C9
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No errors occurred


AccurateRip summary

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Track 3 accurately ripped (confidence 6) [A8C472B6]
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Track 11 accurately ripped (confidence 6) [AFA377C9]

All tracks accurately ripped

End of status report
* Album was initially titled the Killing Machine and was retitled Hell Bent for Leather for US release, as the US branch of Columbia/CBS did not like the murderous implications of the album title. Additionally, the track The Green Manalishi (With the Two-Pronged Crown), an early Fleetwood Mac cover, was added to the running order; it was not on the original UK release.
Original Album Produced Engineered by James Guthrie. Co-Produced by Judas Priest
Recorded at Utopia and CBS Studios in London. Mixed at Utopia Studios, London, U.K.
Mastered for this compact disc by Steve Hoffman from the original master tapes at Kevin Gray's AcousTech Mastering, Camarillo, CA.

Audio Fidelity's 24K Gold series brings you classic music in deluxe packaging with see through slip cases, using original graphics, all beautifully reproduced. They only use the original master tape which is played back on a specially constructed vintage tube playback deck. The analog masters are put through the new Kensei Audio Transformer which adds a true breath of life to the music, making the 24K Gold CD series the best sounding music you can buy.
• Rob Halford - vocals
• K.K. Downing - guitars
• Glenn Tipton - guitars
• Ian Hill - bass guitar
• Les Binks - drums

Original Release Date: October 9, 1978
Release Date: January 19, 2010
Format: LTD Gold CD, HDCD
Label: Audio Fidelity
Catalog No.: AFZ 066-2

Fully Properly Upgraded Repackacked. Huge thanks to taurus66!
- EAC Image, embedded cuesheet more, foobar2000 ready, etc.


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