Love's illusion - Music from the montpellier codex 13rh century.

Description for Love s illusion Music from the montpellier codex 13rh century

Love's illusion - Music from the montpellier codex 13rh century.
MP3 Vbr 320 kbps / Js 44.1kbps | Ape 239 Mb | Mp3 143 Mb | No cue | No log
Opera | Release year 1994 | 1Cd | Total tima 64:04 | Covers

The Montpellier Codex (Montpellier, Bibliothèque Inter-Universitaire, Section Médecine, H196) is an important source of 13th century French polyphony. The codex contains 336 polyphonic works probably composed ca. 1250-1300, and was likely compiled ca. 1300. It is believed to originate from Paris.

The Montpellier Codex can be roughly divided into 8 fascicles, each of which contain discrete genres of music. The format of the codex is as follows:

* 1. Liturgical polyphony
* 2. Latin triple motets, consisting of a cantus firmus with three contrapuntal lines above it
* 3. Macaronic double motets, consisting of a cantus firmus with two contrapuntal lines above it
* 4. Latin double motets
* 5. French double motets
* 6. French two-voice motets
* 7 & 8. Three-voice motets, possibly compiled later than fascicles 2-6

There are also supplements added to fascicles 3, 5, and 7. Because of the different systems of notation used in fascicles 2-6 and fascicles 7-8, the Montpellier Codex has become a crucial source for the chronology of styles of French medieval polyphony.

The Montpellier Codex is a critical source for what are known as "Pre-Franconian" and "Franconian" motets, after Franco of Cologne. While the music in the codex is anonymous, a number of attributions can be made, either because of concordances in other manuscripts or on the basis of stylistic similarity, to Pérotin (from fascicle 1), Petrus de Cruce, Adam de la Halle, Guillaume d'Auvergne, and Philippe le Chancelier. Many of the cantus firmi are taken from the chants of Notre Dame. While fascicle 1 consists of sacred polyphony, mostly from the Notre Dame school, the largest body of music in the codex is the collection of French courtly love motets. The motets in the collection are not isorhythmic, as the first isorhythmic motets—those of Philippe de Vitry—would not be composed until the first decades of the 14th century.

Tracklist:
01. Quant revient L'autrier joer Flos filius, Mo 21
02. Flos filius, Mo 231
03. En mai Flos filius, Mo 111
04. Iohanne, Mo 185
05. Bien doi amer Et sperabit, Mo 311
06. Puisque d'amer Kyrieleyson, Mo 267
07. Maubatus Cumque, Mo 92
08. La bele estoile La bele, en qui Iohanne, Mo 20
09. Lux magna, Mo 215
10. L'autrier, au douz mois Chose Tassin, Mo 270
11. Ja ne m'en repentirai Jolietement, Mo 260
12. Et tenuerunt, Mo 241
13. Onques ne sai amer Docebit Omnem, Mo 131
14. Quant voi la florete Je sui joliete Aptatur, Mo 34
15. Ad amorem sequitur, Mo 328
16. Certes mout Bone compaignie Manere, Mo 33
17. Aucun m'ont Angelus, Mo 128
18. Domino, Mo 236
19. Je n'en puis Puerorum, Mo 255
20. Quant je pens Valare, Mo 168
21. Amis donc est Lonc tans a, Mo 337
22. Li grant desir Non veul mari, Mo 323
23. Je me cuidoie Bele Ysabelos, Mo 256
24. Prenn‚s i garde H‚, mi enfant, Mo 256
25. In seculum, Mo 207
26. In seculum, Mo 207
27. La biaut‚ In seculum, Mo 134
28. In seculum, Mo 3
29. Tuo, Mo 200

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