Ludwig van Beethoven - The Violin Sonatas

Description for Ludwig van Beethoven The Violin Sonatas

Ludwig van Beethoven - The Violin Sonatas [2007]
APE & MP3 + CUE + LOG | TT 68:25 + 68:23 + 76:35 | Full artwork @ 300dpi
APE = 670 mb | MP3 (lame --preset standard) = 186 mb
3 cd box | Recorded 1956-57 | Released 2007

Penguin Guide to Compact Discs:

“

The performances are wonderfully civilized and aristocratic and no one investing in them will regret it.

”

Amazon.com customer review:

“

This splendid three CD box set of Beethoven's complete Sonatas for Violin and Piano features perhaps the finest such duo of the mid-20th Century: Violinist Arthur Grumiaux and Pianist Clara Haskil. They are equally renowned for their Mozart performances and Grumiaux produced a splendid recording of the Bach solo Violin Sonatas and Partitas. Haskil's various Mozart recordings, especially of the Piano Concertos, are some of the finest, most lyrically eloquent ever made. Both musicians represent the summa of music's Germanic core at mid-century in its recorded state. These three CDs place Beethoven's Sonatas in chronological order, making it easier to follow the progression of his musical thought and the evolution of his style. What one discovers quickly, aided by such splendid playing, is how swiftly (certainly by the Opus 30 Sonatas, written in 1802) Beethoven relinquished Mozartean lyricism in favor of a motoric rhythmic drive and much shorter melodic lines. There is often an expansion and contraction of the musical pulse (much like the intake and release of breath), frequently in the very same movement. This requires rhythmic flexibility, a subtly different, exquisitely free sense of time a la Furtwangler: a trait more common in the 40's and 50's than today's more rigid linearity. In other words, Beethoven had learned how to breath life into his music and Haskil and Grumiaux were positioned to express it effortlessly. That's what makes these recordings so good, so necessary for a serious Classical collection. Both performers are lyrical, capable of great beauty of tone, yet they are intellectual enough to convey the profound musical architecture of these pieces. You will enjoy these performances on several levels simultaneously: they are multi-dimensional performances as opposed to today's all-too-often 'single-note' musicality. These recordings were made in early stereo between September 1956 and September 1957. They are beautifully recorded, clear and full with somewhat narrow separation. Comparing these to Mutter/Orkis and Argerich/Kremer, there is a beauty of tone and a level of confident music making that stands just slightly above. Beethoven's Sonatas are great enough to merit several different interpretations. One of them should be this set. Most strongly recommended.

”

Recording:
September 1956 (Sonatas 2, 3, 8)
December 1956 (Sonatas 7, 10)
January 1957 (Sonatas 1, 4, 5)
September 1957 (Sonatas 6, 9)

Tracks:
CD 1
1. Sonata No 1 in D, op. 12, no. 1: I. Allegro con brio
2. Sonata No 1 in D, op. 12, no. 1: II. Tema con variazioni
3. Sonata No 1 in D, op. 12, no. 1: III. Rondo. Allegro
4. Sonata No 2 in A, op. 12, no. 2: I. Allegro vivace
5. Sonata No 2 in A, op. 12, no. 2: II. Andante piu tosto allegro
6. Sonata No 2 in A, op. 12, no. 2: III. Allegro piacevole
7. Sonata No 3 in E-flat, op. 12, no. 3: I. Allegro con spirito
8. Sonata No 3 in E-flat, op. 12, no. 3: II. Adagio
9. Sonata No 3 in E-flat, op. 12, no. 3: III. Rondo. Allegro molto
10. Sonata No 4 in a, op. 23: I. Presto
11. Sonata No 4 in a, op. 23: II. Andante scherzoso piu allegretto
12. Sonata No 4 in a, op. 23: III. Allegro molto

CD 2
1. Sonata No 5 in F, op. 24 "Spring": I. Allegro
2. Sonata No 5 in F, op. 24 "Spring": II. Adagio molto espressivo
3. Sonata No 5 in F, op. 24 "Spring": III. Scherzo, allegro molto
4. Sonata No 5 in F, op. 24 "Spring": IV. Rondo, allegro ma non troppo
5. Sonata No 6 in A, op. 30, no. 1: I. Allegro
6. Sonata No 6 in A, op. 30, no. 1: II. Adagio
7. Sonata No 6 in A, op. 30, no. 1: III. Allegretto con variazioni
8. Sonata No 7 in C minor, op. 30, no. 2: I. Allegro con brio
9. Sonata No 7 in C minor, op. 30, no. 2: II. Adagio cantabile
10. Sonata No 7 in C minor, op. 30, no. 2: III. Scherzo: Allegro
11. Sonata No 7 in C minor, op. 30, no. 2: III. Finale: Allegro

CD 3
1. Sonata No 8 in G, op. 30, no. 3: I. Allegro assai
2. Sonata No 8 in G, op. 30, no. 3: II. Tempo di menuetto ma molto moderato e grazioso
3. Sonata No 8 in G, op. 30, no. 3: III. Allegro vivace
4. Sonata No. 9 in A, op.47 "Kreutzer": I. Adagio sostenuto - Presto
5. Sonata No. 9 in A, op.47 "Kreutzer": II. Andante con variazoni
6. Sonata No. 9 in A, op.47 "Kreutzer": IIa. Var. I
7. Sonata No. 9 in A, op.47 "Kreutzer": IIb. Var. II
8. Sonata No. 9 in A, op.47 "Kreutzer": IIc. Var. III
9. Sonata No. 9 in A, op.47 "Kreutzer": IId. Var. IV
10. Sonata No. 9 in A, op.47 "Kreutzer": IIe. Coda: Molto adagio
11. Sonata No. 9 in A, op.47 "Kreutzer": III. Finale: Presto
12. Sonata No. 10 in G, op.96: I. Allegro moderato
13. Sonata No. 10 in G, op.96: II. Adagio espressivo
14. Sonata No. 10 in G, op.96: III. Scherzo. Allegro
15. Sonata No. 10 in G, op.96: IV. Poco allegretto

Personnel:
Arthur Grumiaux (violin)
Clara Haskil (piano)


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