Marc Copland

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Marc Copland Vic Juris - Double Play (2001)
Jazz | MP3 320 kbps | 173 MB | scans | lame-encoder
Recorded released 2001 | Label: SteepleChase
This outstanding session deserves to be ranked alongside any of the landmark piano/guitar duo recordings one can name.
(Ken Dryden, All Music Guide)
With Juris, the pianist manages to evoke some mind-reading act, the pair moving so cleverly and gracefully in tandem that the toughness of the improvising... is all but concealed by the melodious nature of the playing. Juris takes equal honours in what is a detailed yet warmly played set.
(Penguin Guide to Jazz)

Marc Copland - piano
Vic Juris - guitar

01 Who Can I Turn To ....... 7:40 (Newley/Bricusse)
02 I Loves You Porgy ....... 6:56 (G.Gershwin)
03 Dark Territory ....... 8:05 (M.Copland)
04 Stella by Starlight ....... 5:38 (V.Young)
05 Vaults ....... 5:54 (V.Juris)
06 Jive Samba ....... 5:08 (N.Adderley)
07 I Concentrate On You ....... 8:36 (C.Porter)
08 Blackbird ....... 5:30 (Lennon/McCartney)
09 Twenty-Five ....... 3:34 (V.Juris)
10 Con Alma ....... 5:43 (D.Gillespie)

Recorded March 2001

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This warm duo collaboration between pianist Marc Copland and guitarist Vic Juris is a textbook example of a well-planned and executed studio date.
Starting with an imaginative treatment of Who Can I Turn To, the chemistry between the two musicians is apparent in their support of each other's solos as well as in the crisp interplay. Other standards, such as I Loves You, Porgy and Stella By Starlight, also display a freshness even though they have been recorded countless times by many other jazz artists.
The originals by each man deserve attention as well; both Copland's brooding Dark Territory and Juris' Vaults have a haunting sound, while the breezy bop of the guitarist's Twenty Five is pure joy. Nat Adderley's Jive Samba takes on a darker tone in their intriguing arrangement, and the last-minute suggestion of Dizzy Gillespie's Con Alma proves to be the perfect closer, with Copland's lush chords accompanied by Juris on acoustic guitar in a very deliberate performance.
This outstanding session deserves to be ranked alongside any of the landmark piano/guitar duo recordings one can name.
(Ken Dryden, All Music Guide)

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