Nicolas Winding Refn - Pusher (1996)

Category: Action , Drama , All-In-One Movie

Tag: All-In-One-Movie

Description for Nicolas Winding Refn Pusher 1996

Pusher (1996)
110 min | XviD 656x352 | 1690 kb/s | 192 kb/s AC3 | 25 fps | 1.44 GB + 3% recovery record
Danish | Subtitles: English, Spanish and French .srt | Genre: Drama/Crime
Filled with easy money, fast cars and beautiful women, Frank's life as a drug dealer is perfect until the police catch him en route to deliver a large bag of heroin. Just before he is arrested, Frank dumps the smack into a lake. But even though the police release him, his troubles are not over, for now the buyer demands his money back. He gives Frank, who already spent the cash, a few days to return it. If the pusher fails, he will be killed. Thus begins Frank's violent odyssey through the underbelly of Copenhagen to find the money he needs to save his life.

It's the rare crime film that balances the vicarious thrill of rampant illegality with the real-world desperation of broken souls who are nearly always one wrong move away from a wretched end. Danish director Nicolas Winding Refn's "Pusher" trilogy â€” showing this weekend at the American Cinematheque over two days â€” are such movies, character-overlapping slash-and-burners about underworld types who discover the pitfalls of vulnerability in their profession when it's least advantageous.

Refn was a brash young man in his 20s when he made the first "Pusher" in the mid-1990s (released in the U.S. initially in 1999), and the film practically vibrates with youthful aggression, sly humor and gathering tension, hurling itself forward like a junkie toward the next fix. The stripped-bare tale centers on Frank (Kim Bodnia), a two-bit Copenhagen dealer who suddenly finds himself in a race to make up a botched heroin deal to Milo (Zlatko Buric), a mumbling Serbian gangster who operates out of (and cooks at) a dingy bar/diner.

As punchy mood-setting scenes give way to a full-throttle crisis pitch, Refn delivers a stinging portrait of the peculiar irony of one criminal's solitude, that the emotionally closed-off Frank doesn't realize exactly how alone he is until a world of hurt is on his heels.

Using available light, spasmodic handheld camerawork, and improvised dialogue, write/director Refn goes out of his way (in his first feature) to create an everyday world of extraordinary circumstance - then piles on a pounding thrash guitar score and punchy editing to create a kind of electric realism. Scorsese is a touchstone, but it's a long time since he achieved this kind of blistering intensity. It's a rough ride, for sure. (L.A. Times)

DVD rip and screenshots by crasus (KG)

Frank se gana la vida ejerciendo de dealer. Trabaja para Milo, un gangster al que debe 10.000 dÃ³lares. Cuando Milo le exige que le devuelva el dinero, Frank se embarca en una operaciÃ³n de compra-venta de envergadura. Pero la intervenciÃ³n de la policÃa le hace perder todo el cargamento. Las perspectivas de futuro de Frank se vuelven muy oscuras porque Milo pierde la paciencia y estÃ¡ dispuesto a cobrar como sea. Frank se lanza a una carrera frenÃ©tica para conseguir el dinero. Su vida depende de ello. (FILMAFFINITY)

A Copenhague, Frank vend de l'hÃ©roÃ¯ne et frÃ©quente le milieu de la petite criminalitÃ©. Sa dette envers le trafiquant serbe Milo l'incite Ã tenter un gros coup. Mais la police fait irruption pendant la transaction, et au cours de la poursuite qui s'ensuit, Frank perd Ã la fois la marchandise et l'argent. De rage, Frank expÃ©die Ã l'hÃ´pital son acolyte Tonny. Mais Milo commence Ã s'impatienter et se fait menaÃ§ant. L'urgence de rassembler une importante somme d'argent pousse Frank Ã multiplier les imprudences. Il va jusqu'Ã solliciter quelques couronnes auprÃ¨s de sa mÃ¨re qu'il n'a pas vue depuis longtemps. En dÃ©sespoir de cause, il achÃ¨te une arme, et blesse l'homme de main de Milo avant de s'enfuir. DÃ©sormais en grave danger, il convainc son amie de l'aider Ã monter une ultime arnaque qui devrait lui permettre de quitter le pays dans les heures qui suivent...

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