Samuel Fuller - Underworld U.S.A. (1961)

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Underworld U.S.A. (1961)
Sat rip (TCM) | 98 min | XviD 640x480 | 1353 kb/s | 58 kb/s mp3 mono VBR | 23.97 fps | 1.0 GB + 3% recovery record
English | Subtitles: Spanish and (separate) English CC .srt | Genre: Crime/Drama
Cliff Robertson plays Tolly Devlin, an embittered ex-convict who has spent a lifetime tracking down the men who murdered his father. Desirous of handling matters on his own, Devlin pretends to be loyal to both the Mob and the Government, playing one against the other in hopes of flushing out the killers. He learns that the three surviving assassins are employed by a supposedly charitable "cover" operation known as National Projects. To get what he wants, Devlin ingratiates himself with mob boss (and outwardly solid citizen) Conners (Robert Emhardt). What Robertson didn't count on was falling in love with "Cuddles" (Dolores Dorn), which leads to his own downfall -- but not before justice is served. Producer/director/writer Fuller based Underworld USA on a series of "exposé" articles in The Saturday Evening Post; the film's release fortuitously occurred shortly after that infamous mob convention in Appalachin, New York.

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Underworld USA was made after the classic era of film noir had ended. So were Shock Corridor and The Naked Kiss. You think Underworld USA is Noir. To me, it's just a revenge romance, like The Count of Monte Cristo. I even had a character reading the book. Except that Tolly Devlin [Cliff Robertson] figures out a better way: he'll let the cops take out the people on his list. I also liked working against the cliché--gangster idiom or noir or whatever you want to call it--of hoodlums being in dingy, poorly lit offices, the milieu that we talked about earlier. These guys sit around the pool on sunny afternoons and cold-bloodedly plan who they're going to bribe, who they're going to rub out, all in a middle-class, up-scale day's work. The mob boss gives a little lecture on how it works: "We go to church, we pay taxes, donate to local charity, be part of the PTA," and that's why he believes they'll win. Tolly is the dark figure. These mob guys are businessmen, part of society, maybe members of the Rotary club. Tolly is the outcast, the loose cannon. The mob killer is all business. It's a job and he's good at it. Like I said before, business, not personal. To separate himself from the dirty part of the business, the hit man has these dark glasses that he puts on. That switches on the killer. Afterwards he takes them off and he's a regular guy, good to his mother, pets his dog. Tolly is the one who is eaten up inside, who can't sleep at night for thinking about what he has to do. I guess that would be what you guys call a noir character. This is the theme that I can sink my teeth into in a picture. The guy is not trying to be a hero, he is doing something for personal reasons. Not business, not moral, not political, he just has to do it. I don't think Shock Corridor or The Naked Kiss can really be considered film noir. True they're in black-and-white but that's about it. (Sam Fuller)

TCM SAT rip and screenshots by sigloxx (KG)

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Los bajos fondos
Magnífico thriller de Samuel Fuller en el que retrata de forma cínica y corrosiva el mundo de la mafia y la corrupción sirviéndose de la clásica historia de venganza. Tolly Devlin es un joven nacido y educado en los bajos fondos que se gana la vida como puede. Una noche presencia como cuatro individuos asesinan a su padre y decidirá que de ahora en adelante dedicará su vida a vengar su muerte. Siendo un adulto, es ingresado en la cárcel por forzar una caja fuerte y ahí dentro consigue encontrar al único de los cuatro agresores que pudo identificar aquella noche, que le confiesa antes morir quiénes eran los otros tres. Al salir de prisión descubre que ahora son tres grandes mafiosos que controlan los sindicatos, la prostitución y las drogas. La única manera de acceder a ellos será introducirse en su organización. (elgabinetedeldoctormabuse)

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IMDB

English CC subtitles

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