Syntagma - Touz esforciez. Trouvères en Lorraine

Description for Syntagma Touz esforciez Trouv res en Lorraine

Syntagma - Touz esforciez. Trouvères en Lorraine
EAC FLAC | NO LOG | Embedded CUE | booklet | 260 MB
OGG+booklet 70 MB
Pierre Vérany 704041 (2003) | medieval

“

"The thirteenth century, when medieval culture reaches its culmination, was also the most interesting, yet little known, period for musical creation in Lorraine. Some magnificent works were produced at that time - works that were not only of local importance, but whose fame spread much further afield. The art of the trouvères did not reach Lorraine until the end of the twelfth centrury, by which time it had attained a remarkable degree of maturity. In contact with Gregorian chant (of Byzantine origin) and local folklore (close to that of Central Europe) the music of the trouvères finally cast off the Arabic influence that was typical of the style of the troubadours of southern France and developed its own personality."

”

01 - Jaque de CYSOING. Chanson, version instrumentale [3:36]
02 - Jeannot de l'ESCUREL. Bien se peüst [6:17]

Anónimos
03 - Motet [1:33]
04 - Motet [1:51]

Anónimos de Metz
05 - Dieu d'Amour [3:46]
06 - Dous Jhesus [3:17]
07 - Amereis mi vous [2:24]
08 - Biaux Diex [4:04]
09 - Chanson, deux luths [2:11]

Gautier d'ÉPINAL
10 - Touz esforciez [6:34]
11 - Se par forse de merci [3:03]

12 - Guillaume d'AMIENS. Danza [3:29]
13 - Colin MUSET. Quand je voy yver [3:15]
14 - Jaque de CYSOING. Chanson, version instrumentale [3:22]
15 - Colin MUSET. Dex, comme m'ont mort [3:40]
16 - Jaque de CYSOING. Estampie [2:31]
17 - an., Colin MUSET (?) - Renverdie [4:50]
18 - Colin MUSET. En may [4:04]

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SYNTAGMA
Alexandre Danilevski

Agnieszka Kowalczyk-Lombardi, soprano
Akiro Tachikawa, contre-ténor

Thais Ohara, vièle, rebec
Agileu Motta, luth, guittern
Bernhard Stilz, flûtes à bec
Anna Danilevski, flûtes à bec, vièle, trompette marine
Jean-Pierre Pinet, traverso médiéval
Benoît Stasiaczyk, percussions
Alexandre Danilevski, luth, colichon, vièle, cistre

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"Colin Muset was one of the few trouvères whose poetry remained in circulation over the centuries. Like Thibaut IV, King of Navarre, and Gace Brûlé, he was well known even in the eighteen century, when everything to do with the Middle Ages was regarded as 'Gothic'. And at the time of Henri IV, the scholar Claude Fauchet had paid tribute to him, also mentioning the fact that he played the medieval fiddle. Gautier d'Epinal was a fine poet, profound and enigmatic, and also an outstanding musician. His melodic inventiveness was exceptional even for the thirteen century, which was undoubtedly the most melodically rich period in the history of French music. Gautier experienced the mal du siècle quite differently from Colin Muset and Jacques de Cysoing. He gave a new colouring to the traditional resources of amour courtois by breaking with the conventional schematism."

”

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