The Paul Butterfield Blues Band - East-West [Sundazed High-Definition Vinyl 180g] 24-bit/96kHz

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Description for The Paul Butterfield Blues Band East West Sundazed High Definition Vinyl 180g 24 bit 96kHz

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The Paul Butterfield Blues Band - East-West
Sundazed High-Definition Vinyl / LP 5096
Mastered by Bob Irwin @ Sundazed Studios

Vinyl rip in 24-bit/96kHz | FLAC | cue, m3u & Log | Cover
~970 mb including recovery | RS & FF | Blues | 1966
Allmusic.com rating: 5 out of 5 Stars
The second Butterfield album had an even greater effect on music history, paving the way for experimentation that is still being explored today. This came in the form of an extended blues-rock solo (some 13 minutes) -- a real fusion of jazz and blues inspired by the Indian raga. This groundbreaking instrumental was the first of its kind and marks the root from which the acid rock tradition emerged.

This record is listed in 'Michael Fremer's list of 157 in-print LP's you should own'.


The tune "East-West" in music history

In 1996, former Butterfield Blues Band member Mark Naftalin (keyboards), who recorded on the album and is pictured on the cover of East-West, released a CD on his own 'Winner' label entitled East-West Live, comprising three extended live performance versions of the tune "East-West". Noted music critic and prolific author Dave Marsh contributed a substantial essay in the liner notes regarding the historic importance of the song, both the original 1966 recording and the live versions.

Marsh, interviewing Naftalin, notes that the tune was inspired by an all-night LSD trip that "East-West"'s primary songwriter Mike Bloomfield experienced in the fall of 1965, during which the late guitarist "said he'd had a revelation into the workings of Indian music."

Marsh's expansive liner notes observe that the song "East-West" "was an exploration of music that moved modally, rather than through chord changes. As Naftalin explains, "The song was based, like Indian music, on a drone. In Western musical terms, it 'stayed on the one'. The song was tethered to a four-beat bass pattern and structured as a series of sections, each with a different mood, mode and color, always underscored by the drummer, who contributed not only the rhythmic feel but much in the way of tonal shading, using mallets as well as sticks on the various drums and the different regions of the cymbals. In addition to playing beautiful solos, Paul [Butterfield] played important, unifying things [on harmonica] in the background - chords, melodies, counterpoints, counter-rhythms. This was a group improvisation. In its fullest form it lasted over an hour."

In his summation, Marsh points out that "'East-West' can be heard as part of what sparked the West Coast's rock revolution, in which such song structures with extended improvisatory passages became commonplace."

Going on to call the Butterfield Blues Band "one of the greatest bands of the rock era", Marsh concludes that "With 'East-West', above any other extended piece of the mid-Sixties, a rock band finally achieved a version of the musical freedom that free jazz had found a few years earlier."


Label

Track listing

Side A:
    "Walkin' Blues" (Robert Johnson) – 3:15
    "Get Out of My Life, Woman" (Allen Toussaint) – 3:13
    "I Got a Mind to Give up Living " (Traditional) – 4:57
    "All These Blues" (Traditional) – 2:18
    "Work Song" (Nat Adderley, Oscar Brown) – 7:53

Side B:
    "Mary, Mary" (Michael Nesmith) – 2:48
    "Two Trains Running" (Muddy Waters) – 3:50
    "Never Say No" (Traditional) – 2:57
    "East-West" (Mike Bloomfield, Nick Gravenites) – 13:10

Personnel
    Paul Butterfield - Harmonica and vocals
    Mike Bloomfield – Guitar
    Elvin Bishop – Guitar and vocal on "Never Say No"
    Mark Naftalin – keyboards
    Jerome Arnold – Bass Guitar
    Billy Davenport - drums

Technical Log
RCM Hannl 'limited'
Music Hall MMF 5.1 Turntable
Goldring 1042GX reference Cartridge
Belari VP-129 Tube Phono PreAmp with Sylvania 12AX7WA
Tascam US-144 external USB 2.0 Audiointerface
Interconnections by "Goldkabel"
Wavelab 5 recording software
Click Repair 3.0.1.

Vacuum cleaning > TT > Belari > Laptop > Wavelab 5.01 (24/96) > manual click removal > ClickRepair (declick 10)
analyze (no clipping, no DC Bias offset) > split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.

Unfortunately the pressing quality sucks, so the recording need some DeClick treatment with very light setting after I spend some time to remove major clicks manually.


Links: (File Factory) Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Links: (RS.com) Part 1 | Part 2 | Part 3 | Part 4 | Part 5

The files are interchangeable!!!

Pass: pls use my nick

Enjoy!!!

Check my blog for more audiophile stuff.

The Paul Butterfield Blues Band East West Sundazed High Definition Vinyl 180g 24 bit 96kHz The Paul Butterfield Blues Band East West Sundazed High Definition Vinyl 180g 24 bit 96kHz.full.rar

The Paul Butterfield Blues Band East West Sundazed High Definition Vinyl 180g 24 bit 96kHz The Paul Butterfield Blues Band East West Sundazed High Definition Vinyl 180g 24 bit 96kHz [TRUSTED HIGH SPEED DOWNLOAD]






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