Wayne Jones - Forgotten Melody (2006)

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Wayne Jones - Forgotten Melody (2006)
Jazz, Funk | MP3 VBR ~240 kbps | 52:04 min | 90 MB
Label: Dim amp; Dimmer | Original Release Date: July 26, 2006
Tracklist:

01. Tom's Shuffle
02. Forgotten Melody
03. Gone for a Walk
04. Hole in My Pocket
05. Written Hour
06. Take Five
07. Run for Cover
08. An Evening in Paris
09. Hollow of the White Voice
10. In Full Flight

WebSite: wayne-jones.com
#8220;FINALLY … WAYNE JONES DEBUT SOLO ALBUM ‘FORGOTTEN MELODY’

World class! It’s a term often used, often loosely, sometimes even carelessly … and what does it mean anyway? When used in context of a recording artist’s press release, the author’s goal is generally to create some hype, give the impression that the subject is just as talented as those whom roam the stage internationally. A more humble definition could be that when played, the recording could easily present equal parts enjoyment to anyone, anywhere in the world, irrespective of language, colour, religion or creed. Whatever the definition, it can be said without fear of contradiction, that Australian bassist extraordinaire Wayne Jones’ debut solo album Forgotten Melody’ is ALL class.

From the opening few bars of track one of this album, the chuggalong “Tom’s Shuffle’, there’s no disputing Wayne’s amazing command of the bass as he plucks and slaps with a fluidity and freedom that many others could only ever aspire to. While Ron, Ash, and James provide feel good melody flashes, and Gerry keeps it all tight and together, Wayne can’t help but slide out of the pocket and into the forefront with some astonishingly liquid bass licks.

With track two, the title track “Forgotten Melody”, Wayne slips into something more sublime. It’s an after dark jazz cocktail featuring Wayne’s lead melody on his Status six string with the immaculate production values capturing every resonance of his strings.

‘Gone for a Walk’, ‘Hole in My Pocket’ and ‘Written Hour’ follow, each providing a joyous vibe, a fusion of early morning anticipation and late night romance or reflection.

You’d be forgiven for thinking a wide variety of basses and effects were used to conjure the dynamic sounds offered on this disc, however for the most part, it’s one bass, and all fingers and thumbs with only a hint of studio tweak. Anyone who has ever cast doubt on the bass’s ability to take on head chef duties, need only listen to the concoction Wayne cooks up on his unique funkified version of the jazz standard ‘Take Five’. Whoever said precision and passion don’t mix!

By track ten, the album’s closing celebration “In Full Flight”, the listener is left in no doubt as to the astonishing bass talents of Mr Jones. Wayne Jones knows bass. So much so that in conjunction with Michail Barabasz, designed his own Wayne Jones model bass cabinets which have received rave reviews in international musician magazines. Proof is in the pudding they say, and engineer Steve Scanlon was so impressed with the Jones’ speaker cabs, he mixed this album through them. “Forgotten Melody” is all Wayne Jones, all class … world class in fact!

Greg Phillips-Editor Australian Musician magazine May, 2006#8221;

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