Wolfgang Amadeus MOZART (1756-1791): Complete sonatas for keyboard and violin - Vol.7 & 8 - Gary Cooper - Rachel Podger

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Wolfgang Amadeus MOZART (1756-1791): Complete sonatas for keyboard and violin - Vol.7 & 8 - Gary Cooper - Rachel Podger
2 CDs |DDD | TT: 55:18 + 65:00 | APE (EAC Rip) + CUE + LOG files | scans HQ ( complete booklet + covers) | 252 MB + 368 MB + 88 MB (scans)
NEW!!! Recorded at St Martin's Church, East Woodhay, Berkshire, UK, April 2008 (Vol 7) & St. John the Evangelist Church, Upperwood London, UK, January 2009 (Vol 8)

A Producer's Note Before embarking upon these recordings of Mozart's complete duo music for piano and violin, my experience of many of these works was as a typical post-war listener. That is to say, these were sonatas for violin and these should be performed only one at a time, usually as a good way to limber up the bowing arm and lubricate the fingers before the serious recital 'material' began. The journey of a producer in such a project - apart from all the generic responsibilities of supervising the sessions, ensuring all the music is covered and choosing the 'takes' which constitute the final product - involves regularly questioning the underlying motivation for wanting to communicate these pieces in a certain way.

Both Gary Cooper and Rachel Podger have discovered a particular essence in this music, which has illuminated our understanding of the genre in Mozart's hands. For this reason, this is a radical series. For some, it may lack a tradition of the kind of structured and cultured elan which Szymon Goldberg and Radu Lupu perpetuated (produced by that wonderful Decca doyen of the dark art, Christopher Raeburn) but for others it will lift the dialogue and characterisation onto new and irradiating levels. Of course, each volume has its own narrative and how brilliantly Gary has managed to programme early (some very early!), middle and late sonatas in ways which allow one to understand Mozart's various ploys and distinctive ambitions in this music.

In an ideally balanced oeuvre, one wishes there were another three big mid-to-late works. Yet what this series has done is highlight the care Mozart took in the refinement of sonatas or variations 'to order'- a touching insight into awareness of capability, perhaps individual characters of performers, and that delectable turn of domestic tenderness which these pieces often exhibit. These two players bring these intimacies to bear wonderfully and, as producer, I had great fun working with them to find the shifting moods in music whose unpretentiousness belies the supreme quality of most of these works. Indeed, some of the sonata are far greater than I had imagined.

If the piano sonatas (well, say the last ten) draw upon microcosms of allusion and reference to fellow instruments and their idioms (serenades and the like), then these 'high end' piano-violin sonatas take trips which almost exceed their bounds - think of those great long adagios. So, my lasting impression, having dissected every note of the music, is of a cornucopia of hidden gems; hidden because history has under-rated, misunderstood and bowdlerized the collective meaning of these works by assuming that it is an uneven genre - but then so are the symphonies and even the operas! Finally, one asks why there hasn't previously been a complete recording on historical instruments. From my 'privileged' position as listener-in-chief, I can tell you it is because no pair can make such transparent and difficult music sound so effortless, elegant, witty, emotionally persuasive and enjoyable.

© Jonathan Freeman Atwood


Gary Cooper fortepiano
Rachel Podger Violin

Track Listings

Vol. 7

* Allegro in Bb major, K.372 [from an incomplete Sonata first movement, completed by Abbe Maximilian Stadler]
* Sonata in Eb major, K.26 Fantasia in C minor for Piano, K.394 [after a fragment of a work for Violin & Piano by Mozart, composed by Stadler]
* 12 Variations in G major, 'La Bergère Célimène' K.374a
* 6 Variations in G minor, 'Hélas, j'ai perdu mon amant' K.374b

Vol 8

* Sonata in B Flat Major, KV10 Sonata in G Major, KV11
* Sonata in A Major, KV12
* Sonata in F Major, KV13
* Sonata in C Major, KV14
* Sonata in B Flat Major, KV15

EAC LOG V0.99 prebeta 5 from 4. May 2009

Journal d'extraction EAC depuis 29. Juillet 2009, 14:34

Artiste inconnu / Titre inconnu

Lecteur utilisé : TSSTcorpCDDVDW SH-S203B Adapter: 4 ID: 0

Mode lecture : :
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Correction Offset Ecriture : : 6
Lecture étendue en Lead-In et Lead-Out : Non
Remplacer les samples manquants par du silence : Oui
Effacer les blocs silencieux situés en début et fin : Non
: Non
: Interface Native Win32 pour Win NT & 2000

Format de sortie utilisé : : Routines WAV interne
: 44.100 Hz; 16 Bit; Stéréo




| | | |
--------------------------------------------
1 | 0:00.00 | 8:05.00 | 0 | 36374
2 | 8:05.00 | 1:30.15 | 36375 | 43139
3 | 9:35.15 | 1:28.05 | 43140 | 49744
4 | 11:03.20 | 1:26.56 | 49745 | 56250
5 | 12:30.01 | 1:14.71 | 56251 | 61871
6 | 13:44.72 | 1:26.58 | 61872 | 68379
7 | 15:11.55 | 1:40.67 | 68380 | 75946
8 | 16:52.47 | 2:24.42 | 75947 | 86788
9 | 19:17.14 | 2:49.55 | 86789 | 99518
10 | 22:06.69 | 2:52.48 | 99519 | 112466
11 | 24:59.42 | 2:45.45 | 112467 | 124886
12 | 27:45.12 | 10:29.03 | 124887 | 172064
13 | 38:14.15 | 0:55.72 | 172065 | 176261
14 | 39:10.12 | 1:03.07 | 176262 | 180993
15 | 40:13.19 | 0:59.47 | 180994 | 185465
16 | 41:12.66 | 0:59.41 | 185466 | 189931
17 | 42:12.32 | 1:00.40 | 189932 | 194471
18 | 43:12.72 | 1:02.28 | 194472 | 199149
19 | 44:15.25 | 0:58.21 | 199150 | 203520
20 | 45:13.46 | 1:04.01 | 203521 | 208321
21 | 46:17.47 | 1:32.10 | 208322 | 215231
22 | 47:49.57 | 1:24.02 | 215232 | 221533
23 | 49:13.59 | 0:58.60 | 221534 | 225943
24 | 50:12.44 | 3:24.73 | 225944 | 241316
25 | 53:37.42 | 1:39.69 | 241317 | 248810


Propriétés Etats et Erreurs

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Niveau Max 100.0 %
qualité intervalle 100.0 %
Copie CRC C95B7581
Copie Ok

Pas d'erreur apparue




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Fin du rapport d'état


EAC LOG V0.99 prebeta 5 from 4. May 2009

Journal d'extraction EAC depuis 29. Juillet 2009, 15:25

Artiste inconnu / Titre inconnu

Lecteur utilisé : TSSTcorpCDDVDW SH-S203B Adapter: 4 ID: 0

Mode lecture : :
: Oui
: Non
: Non

Correction Offset Ecriture : : 6
Lecture étendue en Lead-In et Lead-Out : Non
Remplacer les samples manquants par du silence : Oui
Effacer les blocs silencieux situés en début et fin : Non
: Non
: Interface Native Win32 pour Win NT & 2000

Format de sortie utilisé : : Routines WAV interne
: 44.100 Hz; 16 Bit; Stéréo




| | | |
--------------------------------------------
1 | 0:00.00 | 4:54.32 | 0 | 22081
2 | 4:54.32 | 5:32.68 | 22082 | 47049
3 | 10:27.25 | 3:29.63 | 47050 | 62787
4 | 13:57.13 | 3:58.63 | 62788 | 80700
5 | 17:56.01 | 2:13.48 | 80701 | 90723
6 | 20:09.49 | 3:56.74 | 90724 | 108497
7 | 24:06.48 | 4:17.29 | 108498 | 127801
8 | 28:24.02 | 2:21.65 | 127802 | 138441
9 | 30:45.67 | 5:13.41 | 138442 | 161957
10 | 35:59.33 | 6:05.56 | 161958 | 189388
11 | 42:05.14 | 2:28.57 | 189389 | 200545
12 | 44:33.71 | 4:40.63 | 200546 | 221608
13 | 49:14.59 | 2:51.69 | 221609 | 234502
14 | 52:06.53 | 3:05.72 | 234503 | 248449
15 | 55:12.50 | 6:59.42 | 248450 | 279916
16 | 62:12.17 | 2:43.03 | 279917 | 292144


Propriétés Etats et Erreurs

Gammes sélectionnées

Nom fichier E:\Klassik\mozart\Sonates violon piano\MCSKV8\Artiste inconnu - Titre inconnu.wav

Niveau Max 100.0 %
qualité intervalle 100.0 %
Copie CRC 1B960251
Copie Ok

Pas d'erreur apparue




Piste 1
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Fin du rapport d'état



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